从《醒世姻缘传》看明代男子巾子作用及特性  

Role and Characteristics of Men's Scarf in the Ming Dynasty from Xing Shi Yin Yuan Zhuan

作　　者：郁贤君 尹志红 YU Xianjun;YIN Zhihong(School of Fashion,Wuhan Textile University,Wuhan 430299,China)

机构地区：[1]武汉纺织大学服装学院,武汉430299

出　　处：《纺织科技进展》2024年第5期6-11,共6页Progress in Textile Science & Technology

基　　金：省级教研项目(2022317)。

摘　　要：巾子是首服的最初形态,在历史的长河中不断演变;明代是中国最后一个由汉族建立的封建王朝,通过《醒世姻缘传》这本小说对明代男子巾子的作用及特性有一个直观地了解,能够从侧面明白明代社会风貌与风俗,对汉文化的继承和发展具有一定意义。通过文献研究法、图像法,结合明代著名世情小说进行研究,发现巾子是明代男子必备的装饰物、象征之物、实用性社交礼仪之物等,有美好寓意、创新和僭越等特性。通过研究明代男子巾子的作用及特性来研究明代当时的社会风貌,继承和发扬中国优秀传统文化,对中国古代首服文化制度发展具有深远意义。The scarf is the initial form of the clothing for the head,evolving in the long river of history.Through the novel Xing Shi Yin Yuan Zhuan,the role and characteristics of men's scarf in the Ming Dynasty were known,which side by side reflected the so-cial style and customs of the Ming Dynasty and was of certain significance to the inheritance and development of Han culture.The men's scarf was analyzed through the literature research method,image method,combined with the famous Ming Dynasty novels,it was found that the scarf was a necessary ornament,symbolic object,practical social etiquette for men in the Ming Dynasty,which had the characteristics of beautiful symbolism,innovation,and usurpation.The role and characteristics of men's scarves in the Ming Dynasty were studied to explore the social style of the Ming Dynasty,which was to inherit and promote the excellent traditional Chi-nese culture,with far reaching significance to the development of the cultural system of the ancient Chinese clothing for the head.

关 键 词：明代 巾子 《醒世姻缘传》 首服 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]