让-吕克·戈达尔与克里斯·马克:新浪潮运动的两条通路  

Jean-Luc Godard and Chris Marker:Two Rode the New Wave,All the Way Through

作　　者： 王杉(译) Jean-Michel Frodon

机构地区：[1]不详 [2]北京大学艺术学院 [3]南开大学新闻与传播学院

出　　处：《电影艺术》2024年第3期9-14,共6页Film Art

摘　　要：新浪潮运动通常被简单归结为一场发生于法国的电影语言革命,但事实上囊括了更为多元的朝向和意涵。对这场运动的界定与“人物”和“时间”两个面向息息相关,一方面关乎戈达尔和克里斯·马克两位电影人,另一方面则关乎新浪潮的缘起与延续时间。新浪潮精神经由两位电影人的开创性探索,在接下来的几十年以多种方式与形式延续。它深远且持久地更迭电影语言、政治话语、技术与经济实践等诸多方面,其影响早已溢出作为事件或运动的“新浪潮”表象。The New Wave is usually summarized as a revolution of film language that occurred in France.But in fact,it encompasses diverse meanings.To define the New Wave,one needs to start by establishing two frames:who and when.On the one hand,this movement concerns two major figures,Jean-Luc Godard and Chris Marker.On the other,what it means connects with the origin and duration of the New Wave.The spirit of the New Wave explored by Godard and Marker continued in various ways over the next few decades.It made profound and persistent changes in aspects such as film language,political discourse,technology,economic practice and so forth.Meanwhile,the New Wave is way beyond a mere event or movement,its influences has long overflowed worldwide.

关 键 词：戈达尔 克里斯·马克 新浪潮运动 美学实验 

分 类 号：J905[艺术—电影电视艺术]