戈达尔:至高无上的电影决策者  

The Implacable Sovereignty of Decision

作　　者： 祝婧琦(译) Alain Bergala

机构地区：[1]法国国家影像与声音职业学院 [2]北京大学法语系 [3]巴黎西岱大学文学艺术电影跨学科研究中心(CERILAC)

出　　处：《电影艺术》2024年第3期15-18,共4页Film Art

摘　　要：在戈达尔去世后,如何评价他对电影史的贡献成为戈达尔研究中最重要的问题。20世纪80年代后,他的创作逐渐走向服务于电影艺术本身,通过探索新的电影制作手段,为电影提供更多可能。戈达尔的作品具有极强的异质性,但是始终贯穿创作的核心是他在构建电影镜头时拥有的至高无上的决策权。这种决策权来自他不妥协的姿态、自身的信念感以及对镜头“格调”的高要求。诚然,决策权难以作为分析对象教授给学生,但它仍然值得新一代影视创作者学习。In the scholarly exploration of Jean-Luc Godard’s legacy,assessing his enduring impact on the annals of film history emerges as a critical focal point.His creative trajectory post-1980s distinctly pivoted towards a profound engagement with the artistry of cinema,methodically exploring and integrating innovative filmmaking techniques to unlock new expressive potentials within the medium.At the heart of Godard’s remarkably diverse body of work lies his sovereign authority in cinematic decision-making,particularly evident in the meticulous composition of shots.This authority was underpinned by his uncompromising stance and a demanding criterion for within each frame,rooted in his unwavering convictions and the pivotal moments of camera engagement.Though this unique approach presents significant pedagogical challenges,it encapsulates invaluable lessons for the next generation of filmmakers.

关 键 词：戈达尔 电影理论 电影决策 镜头 摄影构图 

分 类 号：J905[艺术—电影电视艺术]