1920-1950年代“建筑艺术”词义演变考  

Semantic Evolution of the Term "Architectural Art"(1920s-1950s)

作　　者：王雪睿 李翔宁[1] WANG Xuerui;LI Xiangning

机构地区：[1]同济大学建筑与城市规划学院,上海200092

出　　处：《建筑学报》2024年第4期92-98,共7页Architectural Journal

基　　金：国家社会科学基金艺术学重大项目(20ZD11)。

摘　　要：以语义学与语用学作为建筑理论史的潜在分析框架,考察1920-1950年代间“建筑艺术”概念在中国建筑界发生的意义演变。在回顾中国传统建筑观念的基础上,指出“建筑艺术”一词是近代中国建筑师特有的语义创造;1950年代,“建筑艺术”概念则经历了从被特殊强调到遭受批判的复杂变迁。通过分析“建筑艺术”在不同时代语境中的表意与翻译,旨在为理解“建筑”与“艺术”之间的关联提供批判性的解读框架。Taking semantics and pragmatics as the potential analytical frameworks for the history of architectural theory,this paper examines the evolution of the meaning of"architectural art"in China between the 1920s and 1950s.Building upon a review of traditional Chinese architectural notions,it proposes that the term"architectural art"is a unique semantic creation by modern Chinese architects.Following the establishment of the People's Republic of China,the concept of"architectural art"underwent a complex transition from being specially emphasized to being critically scrutinized.By analyzing the semantics and translations of"architectural art"in different historical contexts,thepaperaims to providea critical interpretive framework for understanding the relationship between"architecture"and"art"

关 键 词：建筑艺术 建筑理论 词义演变 中国现代建筑 观念史 

分 类 号：TU-80[艺术—艺术设计]