“大河三部曲”与巴蜀风土建筑的空间观念——兼论地方小说在风土建筑研究中的作用  

Li Jieren's“River Fiction Trilogy”and the Scene,Ritual,and Spatial Concepts of Vernacular Architecture in the Ba and Shu Region With Thoughts on the Role of Local Fictions in the Study of Vernacular Architecture

作　　者：江攀 杜宇潇 JIANG Pan;DU Yuxiao

机构地区：[1]米兰理工大学建筑与城市研究系,意大利 [2]哈佛大学东亚语言与文明系,美国

出　　处：《建筑学报》2024年第4期114-119,共6页Architectural Journal

基　　金：国家建设高水平大学公派研究生项目(202106260023)。

摘　　要：聚焦李劼人于1930年代创作的以晚清时期的成都为时空背景的地方小说“大河三部曲”中郝姓士绅的宅院,结合小说文本,参考民居实例复原其平面布局;进而梳理郝家在宅院中日常生活、仪式和会客的场景;并通过分析不同关系人物的活动与建筑布局的关系,讨论巴蜀地区传统风土宅院的空间观念;最后探讨了利用地方小说来解读传统风土建筑的意义及局限。Focusing on Li Jieren's local novels,known as the"River Fiction Trilogy"written in the 1930s that described the Hao house in Chengdu in late Qing dynastyas the spatiotemporal background,the paper first reconstructs its layout based on the novel's text and reference of vernacular architecture,and it examines the scenes of daily life,rituals,and social gatherings within different spaces of the Hao house.Further,by analyzing the relationship between the activities of various characters and the architectural layout,the paper discusses the spatial concepts of traditional vernacular houses in the Ba and Shu region.Finally,it explores the significance and limitations of using local novels to interpret traditional vernacular architecture.

关 键 词：风土建筑 建筑人类学 地方小说 巴蜀 李劼人 大河三部曲 

分 类 号：TU-024[建筑科学—建筑理论] I207.41[文学—中国文学] K252[历史地理—历史学]