梁树年山水画中的“林泉之心”与自然情怀  

“Heart of Forest and Spring”and Natural Feelings in Liang Shunian's Landscape Paintings

作　　者：王巍[1] 麻敏 Wang Wei;Ma Min(Arts and Design,Tsinghua University)

机构地区：[1]清华大学美术学院

出　　处：《美术》2024年第5期40-43,F0002,共5页Art Magazine

摘　　要：梁树年的山水画继承了传统山水画“饱游饫看”式的创作方法,与传统的“师古人”之法一脉相承。梁树年的山水画脱胎于传统,融北宗之雄强、南宗之秀润于一体,形成了浑朴苍健的画风,构图平而实,笔力苍润雄劲,墨色酣畅淋漓,云雾幽幻灵秀,在注重“林泉之心”的同时,更重视物之性情和精神,通过内心的感悟,达于情景交融、物神相通的境界。In his creation of landscape paintings,Liang Shunian carried forward the traditional way of“indulging in landscape”and“learning from ancient painters”.Based on traditional landscape paintings,Liang Shunian developed a simple and vigorous style by integrating the majesty of the northern school and the elegance of the southern school,featuring a flat and solid composition,a robust brushwork and a flowing and lucid ink style.With beautiful clouds and mists in paintings,the artist emphasized“the heart of forest and spring”,and,more importantly,the nature and spirits of things.Through inner perception,he reached a state where feelings and landscape were integrated and things and spirits were connected.

关 键 词：梁树年 山水画 林泉之心 笔墨 

分 类 号：J212[艺术—美术]