色与墨的交融——陆秀竞山水画的启示  

The Blend of Color and Ink:Inspiration from Lu Xiujing's Landscape Paintings

作　　者：耿祥龙 Geng Xianglong(Shanghai Academy of Fine Arts)

机构地区：[1]上海大学上海美术学院

出　　处：《美术》2024年第5期48-51,共4页Art Magazine

摘　　要：中国画的革新问题,是贯穿20世纪中国美术史发展的重要命题,而色彩的革新是中国画创新探索的重要内容。陆秀竞师从顾坤伯、陆俨少等大家,接受过系统严谨的传统山水画训练。特殊的艺术和人生经历,又培养了他开阔的艺术视野,让他在执守中国画笔墨传统的同时,大量借鉴西方现当代艺术的色彩与构成,探索出泼墨为底、色墨相融、笔线相合的独特艺术风格。本文以陆秀竞近作为研究对象,探讨中国画的色墨关系与山水画的色彩创新问题。The innovation of Chinese painting was an important ssue throughout the development of Chinese art in the 2oth Century,in which the innovation of color was an important part.Lu Xiujing has learned from Gu Kunbo,Lu Yanshao and other masters,and received systematic and rigorous training in traditional landscape painting.His special artistic and life experiences have broadened his artistic vision,helping him follow the traditions of Chinese painting while drawing inspiration from the colors and composition of modern and contemporary western art.Therefore,he has developed a unique artistic style that takes ink splash as a basis,blends color and ink and combines brushes with lines.This article takes Lu Xiujing as the research object to explore the relationship between color and ink in Chinese painting and the innovation of color in landscape paintings.

关 键 词：陆秀竞 山水画 色墨观 色彩创新 

分 类 号：J212[艺术—美术]