中国特色西方音乐研究的对话性  

The Dialogism of Western Music Research with Chinese Characteristics

作　　者：林杭[1] Lin Hang

机构地区：[1]福建师范大学中国特色西方音乐研究中心,福州350108

出　　处：《音乐艺术（上海音乐学院学报）》2024年第2期50-58,共9页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：中国特色西方音乐研究在坚守中华优秀传统文化的立场下,依托巴赫金对话主义的理论主张,具有丰富的对话性。中国的西方音乐研究作为一种“异文化”研究,其互动思维的建立不仅需要深潜于涵义层的对话,而且更需要关注现实,最终在充满对话性的形塑中彰显其主体立场与话语力量。The study of western music with Chinese characteristics is rich in dialogism on the basis of adhering to Chinese traditional culture and relying on Bakhtin's dialogism.The study of Western music in China is a study of"alien culture"The establishment of its interactive thinking not only needs to carry on the dialogue of the deep meaning layer,but also needs to pay attention to the reality,and finally reveals its main position and discourse power in the shaping process full of dialogues.

关 键 词：西方音乐 巴赫金 中国特色 对话性 

分 类 号：J609.1[艺术—音乐]