白字戏乐语中的锣鼓乐形态与做乐  

Forms and Music Making:Gongs and Drums in the Idioms of Baizi Opera

作　　者：张毅 萧梅[2] Zhang Yi;Xiao Mei

机构地区：[1]中国音乐学院,北京100875 [2]上海音乐学院音乐系,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第2期106-115,共10页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年度国家社科基金后期资助一般项目“中国传统音乐乐语辞典”,项目批准号:21FYSB5;中国音乐学院博士课题经费资助项目“浙闽赣粤四省汉族民间锣鼓经(谱)研究”阶段性成果,项目批准号:20232013/017。

摘　　要：在海陆丰地区的白字戏打击乐乐人口中,有一套包括行话、术语、口诀、谚语在内的民间乐语。围绕这些乐语不断展开追问便会发现,乐人早已用这些乐语生动形象地表达出地方音乐的深层文化特征。中国许多地区的戏曲锣鼓及民间乐种中都存在类似乐语,这些乐语可集合成庞大的“近义民间乐语群”,这表明各地民间锣鼓乐之间具有一些较为共通的形态特征、创作规律和乐人思维方式。学习、理解、分析和研究这些乐语,既是认知传统音乐的重要途径,又是研究者与被研究者之间展开对话交流的重要媒介,也是丰富中国音乐话语体系的互惠方式。The percussion artists of White Character Opera(bai-zi-xi)in Hailufeng area,Guangdong,feature a set of folk music language including jargon,terms,pithy formulas and proverbs.Around these idioms,if we continue to ask,we will find that musicians have already used these idioms to vividly express the deep cultural characteristics of local music.There are similar musical expressions in the traditional operas,gongs/drums and folk music in many parts of China.These musical words can be combined into a huge"Synonymic Group of Folk Music"This shows that there are some common morphological characteristics,creative laws and thinking modes of musicians among the folk gongs and drums in different places.Learning,understanding,analyzing and researching these musical languages are not only an important way to recognize local traditional music,but also an important medium for the researchers to learn to communicate,and it is also a reciprocal way to enrich the Chinese musical discourse system.

关 键 词：民间乐语 锣鼓乐 白字戏 音乐形态 做乐 

分 类 号：J607[艺术—音乐]