丁善德《长征交响曲》的旋律及其主题功能  

The Melody and Thematic Function of Ding Shande's Long March Symphony

作　　者：唐荣 Tang Rong

机构地区：[1]苏州大学音乐学院,苏州215123

出　　处：《音乐艺术（上海音乐学院学报）》2024年第2期125-138,共14页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2022年度国家社科基金艺术学项目“革命历史题材交响音乐创作研究”,项目批准号:22BD070。

摘　　要：丁善德的《长征交响曲》具有独特的器乐创作思维和审美品格,其中旋律写作注重音乐的可听性与可解性,并将民歌的标题与歌词作为内容表现的依据,用特定音调表达特定内容,以“语义性”音调契合标题性构思。在保持“共性写作原则”技法风格的基础上,用精湛的主题设计,将主题材料进行同质性关联,以实现音乐形象的象征性转换,使主题及其特征型态在发展中与作品纵横结构之间形成整体与局部、背景与前景、内容与形式的统一。这既显示出《长征交响曲》的“实用理性”及所具备的特殊功能与价值,又在形式、内容等方面凸显了音乐创作的“中国性”。Ding Shande's Long March Symphony has boasted of unique creative thinking and aesthetic character of instrumental music.His melodic writing focuses on the audibility and comprehensibility of music.The title and lyrics of the folk song are used as the basis for the expression of contents,and the specific tone is used to express the specific contents.The tone fits the title idea.In keeping"general principles of writing"technique and style,the theme material is homogenously related with exquisite theme design to realize the symbolic transformation of the musical image,so that the theme and its characteristics form a unity between the whole and the part,the background and the foreground,the content and the form in the development,and the vertical and horizontal structure of the work.This shows the Long March Symphony's"practical reason"and its special function and value,as well as the form and content and other aspects of music creation,thus highlighting its"Chinese nature".

关 键 词：丁善德 《长征交响曲》 旋律分析 主题功能 

分 类 号：J614.3[艺术—音乐]