闽台“大神尪”傩舞的表演形态比较研究——以闽台传统文化承继关系探讨为主  

A Comparative Research on the Performance Forms of“Dashenwang”Nuo Dance in Fujian and Taiwan——Focusing on the Inheritance of Traditional Culture in Fujian and Taiwan

作　　者：郑玉玲 李雅莹 ZHENG Yuling;LI Yaying

机构地区：[1]闽南师范大学闽南文化研究院,福建漳州363000

出　　处：《闽南师范大学学报（哲学社会科学版）》2024年第1期42-55,共14页Journal of Minnan Normal University:Philosophy and Social Sciences

基　　金：国家社科基金冷门“绝学”和国别史重大研究专项(19VJX151)。

摘　　要：“大神尪”傩舞是中国傩文化在闽台区域遗存的一支傩舞支脉,它以非语言文字符号的祭仪表演传承着中华传统文化,自古以来闽地神尪傩舞由福建移植至台湾地区,两岸长期互动,构建起“闽台傩舞文化圈”,在求同存异的张力中共创了两岸神尪傩舞文化共体。通过舞蹈形态学等研究方法,从“舞情、舞律、舞图”三要素论比较闽与台的“大神尪”傩舞形态特征的异同及其关系,剖析闽台“大神尪”傩舞在角色塑造、动律身段、阵法构图上呈现表演形态一脉相承的艺术基因特征,从中窥见其对闽台中华传统傩文化的承继关系。“Dashenwang”Nuo Dance,a branch of China Nuo Dance,is the Chinese Nuo culture in the region of Fujian and Taiwan.It carries the traditional Chinese culture with non-verbal symbolic ritual performance.The Dance was transferred to Taiwan from Fujian by ancient time and by interaction,people in Fujian and Taiwan have jointly created the“Min-tai Nuo Dance cultural circle”and the common Nuo Dance culture by seeking common ground while reserving differences.With the dance morphology and three-factor theory of “dance feelings,dance rhythms,dance diagrams”,we try to explore the similarities and differences in the morphological characteristics and their relationship between“Dashenwang”Nuo Dance in Fujian and Taiwan.By examining the role of character shaping,rhythmic figure and composition,it shows the common gene characteristics of the performance form and the inheritance of the Chinese Nuo.It further expounds the inheritance from traditional Chinese Nuo culture.

关 键 词：闽台“大神尪”傩舞 表演形态 比较研究 承继关系 

分 类 号：J722.2[艺术—舞蹈]