剧场艺术与生态——2023年德语戏剧述评  

Theatre Art and Ecology:German Theatre in 2023

作　　者：王霁青 Wang Jiqing

机构地区：[1]柏林自由大学

出　　处：《戏剧（中央戏剧学院学报）》2024年第2期1-14,共14页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金重大项目“欧美戏剧剧场资料翻译与研究”(编号:21&ZD268)的阶段性成果。

摘　　要：“生态”是近年来剧场活动策划中频繁出现的关键词。但生态不只是剧场艺术所要表现的内容主题,还是一种视角和思维方式,被用来理解技术、感知和文化的相互作用。2023年的德语戏剧从生态的视角出发,探寻“人类如何将自身安顿在地球的大家政(Oikos)中”。一方面,剧场艺术借古希腊悲剧的重排,对经典人物做生态化的拓展,从而进一步向人类中心主义提出批评。另一方面,剧场表演以当代的数码生活为坐标系,采取不同的唤醒观众注意力的方式,以调试自身在算法环境中的态度和位置。通过在“实践的生态”中提供培育性的创作条件,剧场艺术向技术的自动化发出挑战。"Ecology"is a keyword that in recent years frequently appears in the planning of theatre activities,which is not only a theme,but also a perspective and way of thinking,through which we understand the interaction of technology,perception and culture.The German Theatre in the year of 2023 takes an ecological perspective and explores"how humans position themselves in the oikos of the earth.On the one hand,theatre art uses the rearrangement of ancient Greek tragedies to ecologically expand classic characters,thereby further criticizing anthropocentrism.On the other hand,theater performances take contemporary digital life as the coordinate system and adopt different methods to awaken the audience's attention in order to adjust their own attitudes and positions in the algorithmic environment.By providing nurturing creative conditions within an"ecology of practice",theatre art challenges the automation of technology.

关 键 词：生态 注意力 实践的生态 业余戏剧 古希腊悲剧 

分 类 号：J83[艺术—戏剧戏曲]