从叔本华理论透视电影《包法利夫人》中艾玛的人生悲剧  

A LOOK AT EMMA’S LIFE TRAGEDY IN THE MOVIE MADAME BOVARY FROM SCHOPENHAUER’S THEORY

作　　者：宋艳梅[1] SONG Yan-mei(School of Foreign Languages,Nanyang Institute of Technology,Nanyang 473000,China)

机构地区：[1]南阳理工学院外国语学院,河南南阳473000

出　　处：《南阳理工学院学报》2024年第3期41-44,共4页Journal of Nanyang Institute of Technology

摘　　要：电影《包法利夫人》展示了主人公艾玛的人生悲剧。传统的人生悲剧成因分析大多聚焦社会因素、家庭因素与人物自身因素。本文尝试运用叔本华理论,透视艾玛人生悲剧中虚荣悲剧、欲望悲剧和婚姻悲剧的成因及内容。虚荣悲剧指艾玛因自身的虚荣心被克里斯太、里昂和马奎斯等肇祸人利用而债台高筑、爱情扭曲。欲望悲剧指艾玛因曾随丈夫参加过一次贵族举办的舞会与狩猎这一偶然事件而引发她长期痛苦和抑郁。婚姻悲剧指艾玛与包法利性格不同、行为各异而导致家破人亡。本文由此呼吁当代人树立量入为出型消费观、理想与现实平衡的欲望观和情感与责任并重的婚姻观。The movie Madame Bovary shows the life tragedy of the heroine Emma.Traditional analysis of the causes of life tragedy mostly focuses on social factors,family factors and characters’own factors.This essay attempts to use Schopenhauer’s theory to explore the causes and contents of the vanity tragedy,the desire tragedy and the marriage tragedy in Emma’s life tragedy.The vanity tragedy refers to the fact that Emma’s vanity is taken advantage of by the perpetrators,such as Chris,Leon and Marquis,which leads to high debts and distorted love.The desire tragedy refers to Emma’s long-term pain and depression caused by the accidental event that she once attended a ball and hunting held by a nobility with her husband.The marriage tragedy refers to Emma and Bovary’s different personalities and behaviors,resulting in the destruction of the family.Therefore,this essay calls on contemporary people to establish the consumption concept of living within their means,the desire concept of balancing ideal and reality,and the marriage concept of paying equal attention to emotion and responsibility.

关 键 词：艾玛 虚荣悲剧 欲望悲剧 婚姻悲剧 启示 

分 类 号：I106[文学—世界文学]