文化观照下意大利美声唱法经验的汲取与借鉴  

Absorption and Reference of the Experience of Italian Bel canto from the Perspective of Culture

作　　者：朱琳[1] ZHU Lin(College of Music Education,Shenyang Conservatory of Music,Shenyang 110818,China)

机构地区：[1]沈阳音乐学院音乐教育学院,沈阳110818

出　　处：《湖北第二师范学院学报》2024年第5期28-32,共5页Journal of Hubei University of Education

摘　　要：20世纪20年代起,西方艺术中的美声唱法在我国获得快速发展,对社会民众审美观念造成巨大影响,同时也给我国声乐艺术带来革命性变化,并在20世纪中叶形成“土洋之争”。“土洋之争”历史较长,对我国声乐领域发展造成一定影响,使得在较长时间内,我国声乐水准提升缓慢。直至改革开放之后,引入西方美声学派理论知识和表演技巧后,争论的重点才逐渐转变,开始倾向于探讨具有深层次特征的实质内容,对美声唱法的认知也更加客观。对美声唱法在引入我国之后的发展作出梳理,从工艺美学角度出发,探讨音乐和文化之间的具体关系,强调在文化建设过程中需要基于“以我为主”的原则,积极推进多元化发展,通过结合与吸收,将理论知识充分应用于实践中。Since the 1920s,bel canto in western art has been rapidly promoted and developed in China,which has had a huge impact on the aesthetic concept of the public,and has also brought revolutionary changes to China’s vocal music art,and formed a“struggle between the domestic and foreign vocal music arts”in the middle of the last century.The long history of the struggle has had a certain impact on the development of China’s vocal music field,which has made the improvement of China’s vocal music level slow for a long time.Until the Reform and Opening Up,after the introduction of the theoretical knowledge and performance skills of the western bel canto school,the focus of the debate gradually changed,and began to tend to explore the substantive content with deep characteristics,and the understanding of bel canto singing was more objective.This paper analyzes the development of bel canto after it was introduced into China,discusses the specific relationship between music and culture from the perspective of craft aesthetics,and emphasizes that in the process of cultural construction,we need to actively promote diversified development based on the principle of taking ourselves as the main factor,and fully apply theoretical knowledge to practice through combination and absorption.

关 键 词：文化观照 美声唱法 经验汲取 

分 类 号：J616.21[艺术—音乐]