电影《河畔须臾》蕴含的日本传统美学及镜头表达  

Add to Favorite Traditional Japanese aesthetics and lens expressions in the film A Moment by the River

作　　者：章颖 于冉 Zhang Ying;Yu Ran(Jiangxi Science and Technology Normal University,Nanchang 330036,P.R.China)

机构地区：[1]江西科技师范大学文学院,江西南昌330036

出　　处：《江西科技师范大学学报》2024年第2期92-98,共7页Journal of Jiangxi Science & Technology Normal University

基　　金：第十二批江西省研究生优质课程和案例建设项目“电视摄像艺术”阶段性成果。

摘　　要：日本导演荻上直子的影片《河畔须臾》,从日本传统美学“物哀”“幽玄”“侘寂”等特质出发,表达了“须臾与刹那”等人生观。导演使用固定镜头,通过细致入微的拍摄手法,展现了“物哀”美、“幽玄”美和“侘寂”美的魅力,让观众能够更加深入地领略电影所蕴含的美学韵味。Japanese director Naoko Ogami's film A Moment by the River expresses the philosophy of“a moment”from the aesthetic perspective of“Wuai”,“Wabi-sabi”and so on in traditional Japanese culture.The director successfully shows aesthetic appeal of"Wuai,mysterious and Wabi-sabi"by using fixed lens and meticulous technique,making audience more deeply appreciate the aesthetic flavor in the movie.

关 键 词：《河畔须臾》 物哀 幽玄 侘寂 固定镜头 

分 类 号：J905[艺术—电影电视艺术]