文化视域下《望江南·超然台作》的创作动因  

On the Motivations for the Composition of Looking South of the Yangtze River:A Composition Created on the Chaoran Tower from the Cultural Perspective

作　　者：白银银[1] BAI Yinyin(Department of Human Sciences,Zibo Teachers College,Zibo 255100,Shandong,China)

机构地区：[1]淄博师范高等专科学校人文科学系,山东淄博255100

出　　处：《景德镇学院学报》2024年第2期24-29,共6页Journal of JingDeZhen University

基　　金：国家社会科学基金后期资助项目(21FZWB099);山东省社会科学普及应用研究项目(2021-SKZZ-102)。

摘　　要：知密时期是苏轼词创作的重要转型期,除“密州三曲”的杰出成就外,《望江南·超然台作》也是不可忽视的力作。这首作品一改以往清明节序词沉重哀伤的格调,呈现出清新旷达的风貌,从另外一个侧面体现了苏轼密州词创作的创新性和多元性。究其原因,苏轼依《望江南》词调创作该词明显是受中国文人追慕“江南”文化情结的影响,而其轻松愉快的风格则体现了苏轼对宋代清明节序词重享乐表达模式的接受,而其中洋溢的乐观旷达思想则是苏轼对密州地区多元融合地域文化消化吸收后的智慧结晶。The official period in Mizhou was a transitional stage in the journey of lyrics-writing for Su Shi.Besides the famous"Trilogy of Mizhou",Looking South of the Yangtze River:A Composition Created on the Chaoran Tower is also a masterpiece by Su Shi that cannot be ignored.This work is rid of the sorrowful style typical of the lyrics of the Qingming Festival,displaying a free and elegant aura and showcasing the innovations and diversity about Su’s lyrics writing in Mizhou.The reason behind the shifting is that Su Shi's creation of the poem based on the tune of Looking South of the Yangtze River is largely due to the influence of the complex of the cultures in the south of the Yangtze River which prevailed among the men of letters of that time.The relaxing and cheerful style reflects Su Shi's acceptance of the hedonistic expression mode in the lyrics on the Qingming Festival in the Song Dynasty.The optimistic thoughts symbolize Su Shi's wisdom acquired after assimilating the local culture,a combination of multiple cultures within and outside the Mizhou area.

关 键 词：苏轼 江南情结 节序词 地域文化 

分 类 号：I207.23[文学—中国文学]