从《曹雪芹》看编导主体意识在当代中国古典舞剧实践中的呈现  

Presentation of the Principal-being Awareness on the Choreographer in the Practice of Contemporary Chinese Classical Dance Drama:A View Gained from Cao Xueqin

作　　者：孙晓芳 SUN Xiaofang(Shenyang Conservatory of Music,Shenyang 110000,Liaoning,China)

机构地区：[1]沈阳音乐学院舞蹈学院,沈阳110000

出　　处：《景德镇学院学报》2024年第2期75-81,共7页Journal of JingDeZhen University

摘　　要：在舞蹈艺术实践过程中,编导的地位和作用不言而喻,尤其是编导的主体意识在其中起着基础和支配的作用,是编导行动力、决策力和指导力形成的关键因素。中国古典舞剧《曹雪芹》的成功问世,与编导主体意识的融入密不可分,从此剧中编导主体意识的呈现看,主要体现五个方面,即结构布局意识、史料还原意识、文化传承意识、舞台设计意识和文化自信意识。正是由于该剧编导具有以上五个方面的主体意识,使《曹雪芹》成为一部具有内涵深度、情感温度、艺术高度的当代优秀中国古典舞剧作品。During the practice of dance art,the role of choreographer is obviously extremely important.Particularly,the principal-being awareness of choreographers can be counted as the motive power for the design of the dance art,as it is essential to decision making,guidance offering and performance of choreographers.The success of the Chinese classical dance drama Cao Xueqin is largely due to the integration in it of the principal-being awareness of the choreographer,which is presented in the following five aspects:scene arrangement,history reproduction,cultural inheritance and cultural confidence.It is just the principal-being awareness of the choreographer shown in the five aspects mentioned above that made Cao Xueqin an excellent contemporary Chinese classical dance drama profound in connotation,affection and artistic quality.

关 键 词：古典舞剧 《曹雪芹》 编导主体意识 呈现 

分 类 号：J723.2[艺术—舞蹈]