于坚诗歌中的跨文体书写  

On the Cross Stylistic Writing of Yu Jian’s Poetry

作　　者：罗云 LUO Yun(School of Chinese Language and Literature,Yuxi Normal University,Yuxi,Yunnan 653100)

机构地区：[1]玉溪师范学院文学院,云南玉溪653100

出　　处：《玉溪师范学院学报》2024年第1期1-7,共7页Journal of Yuxi Normal University

基　　金：2022年云南省教育厅科学研究基金项目“西南边疆诗人群研究”(项目编号:2022J0762)阶段性成果。

摘　　要：新时期以降,跨文体写作成为诗人拓殖诗歌题材、扩宽诗体面向的有效路径,于坚正是其中的重要推手。档案体、小说体和诗剧体正是他深入诗歌体式、探询诗美表达的三种跨文体实验,他为诗歌增添了许多富有观感和生活气息的叙事序列,使之具备一定的情节延展和人物塑形,同时他不无冒险地借助“档案体”和“诗剧体”在“反诗”和“返诗”之间的断裂地带行走。于坚的跨文体实践推出了一系列重要诗作,有效地促进当代诗歌的诗体建构范式,在诗学界引发持久的争鸣。Since the beginning of the new era,Yu Jian,the important driving force,and many poets have applied cross genre writing as an effective path to explore poetry themes,which broadens the scope of poetry.Archive style,novel style,and poetic drama style are the three cross genre attempts he conducted to probe into poetic styles and the expression of poetic beauty.He expands poetry narrative sequences in impression and vitality,taking on definite plot extension and character shaping.Meanwhile,he was bold to wander around the fracture zone between“Ironic Poetry”and“Vintage Poetry”by way of“archive style”and“poetic drama style”.Through cross stylistic practice,Yu Jian’s has published a series of poetry,effectively facilitating the paradigm of poetic construction in contemporary poetry and sparking a lasting debate.

关 键 词：于坚 诗歌 跨文体书写 

分 类 号：I206.7[文学—中国文学]