近代广州外销通草画中的女性形象研究  

Research on Female Images in Modern Guangzhou Export-oriented Tongcao Paintings

作　　者：刘嘉慧 林卓 Liu Jiahui;Lin Zhuo(Jingdezhen Ceramics University)

机构地区：[1]景德镇陶瓷大学

出　　处：《景德镇陶瓷》2024年第2期56-58,共3页Jingdezhen Ceramics

摘　　要：18-19世纪,外销通草画的生产集中在广州十三行,以女性形象为题材的广州外销通草画是对近代广府地区社会生活的真实刻画。本文以中西绘画各有所长的思路,选取具有代表性的女性题材作品,研究分析各类女性形象特点及探索画中绘画语言特色。通草画在借鉴西方绘画技法的基础上融入本民族意识,形成独特的“中国式女性形象风格”。这些女性形象跨越时空,成为中西贸易的参与者与推动者,促进中外艺术文化交流。In the 18th and 19th centuries,the production of export Tongcao paintings was concentrated in Guangzhou Shisanhang.Guangzhou export Tongcao paintings with female images as the theme are a true portrayal of social life in modern Guangfu area.This article selects representative female-themed works from the perspective of Chinese and Western painting,studies and analyzes the characteristics of various female images and explores the language characteristics of painting.Tongcao paintings integrate their own national consciousness on the basis of drawing on Western painting techniques,forming a unique"Chinese-style female image style".These female images transcend time and space,become participants and promoters of Sino-Western trade,and promote Sino-foreign art and cultural exchanges.

关 键 词：外销通草画 广州十三行 女性形象 中西融合 

分 类 号：C913.68[经济管理] K25[社会学] J209.2[历史地理—历史学]