符号学文化视域下明代青花瓷植物纹饰的艺术表达——景德镇明代青花瓷为例  

Artistic Expression of Ming Dynasty Blue and White Porcelain Plant Patterns from the Perspective of Semiotic Culture——Taking Jingdezhen Ming Dynasty Blue and White Porcelain as an Example

作　　者：范竞元 冯明燕 Fan Jingyuan;Feng Mingyan(Jingdezhen College;Nanchang Institute of Technology)

机构地区：[1]景德镇学院 [2]南昌工学院

出　　处：《景德镇陶瓷》2024年第2期97-99,共3页Jingdezhen Ceramics

基　　金：2023年度景德镇市级软科学指导计划项目“符号学原理与景德镇传统陶瓷文化在文化创意产品开发中的应用研究”,项目编号:20231RKX020。

摘　　要：从唐代出现青花瓷以来,经元代发展时期到明代,青花瓷已然成为景德镇陶瓷产业的主流产品,青花瓷不仅是官僚阶级享用观赏器物还在百姓生活中成为常用的器皿。青花瓷中植物纹饰所见为常,在一定程度上成为青花瓷中的特有文化符号。本文以符号学为理论基础,探索分析青花瓷中植物纹饰的骨架构成形式、审美形式、文化内涵等,从而探寻当代瓷器审美艺术发展方向。Since the appearance of blue and white porcelain in the Tang Dynasty,from the development period of the Yuan Dynasty to the Ming Dynasty,it has become the mainstream product of Jingdezhen ceramic industry.It is not only an ornamental object enjoyed by the bureaucratic class,but also a commonly used vessel in people's lives.Plant pattern in it is common and has become a unique cultural symbol.Based on semiotics,this article explores and analyzes its skeleton composition form,aesthetic form,and cultural connotation of plant patterns,so as to explore the development direction of contemporary porcelain aesthetic art.

关 键 词：明代青花瓷 植物纹饰 符号文化 

分 类 号：K876.3[历史地理—考古学及博物馆学] K248[历史地理—历史学]