古代文学中“桃花”意象的美学特征及文化内涵  

Aesthetic Features and Cultural Connotation of"Peach Blossom"Images in Ancient Literature

作　　者：孔秋萍 KONG Qiuping

机构地区：[1]江苏联合职业技术学院镇江分院,江苏镇江212000

出　　处：《淮北职业技术学院学报》2024年第3期91-94,共4页Journal of Huaibei Vocational and Technical College

基　　金：江苏省教育学科研究院主办“基于思政学科核心素养的职业生涯规划课程教学实践研究”(ZYB323)。

摘　　要：在“天人合一”思想背景下,“桃花”象征着青春、时光与女性,后又泛指与女性有关的物品。经过历代文人的加工与创作,“桃花”意象衍生出多种文化内涵,其中:以“人面桃花”“桃花流水”“桃花源”三种最为典型。从魏晋时期的灵性化、唐代的仙境化到两宋的情爱化,再到元明清结构与思想内涵上的回归,“桃花”意象成为历代文人墨客不断吟咏的对象。Under the ideological background of"the unity of man and nature","peach blossom"symbolizes youth,time and women,and later refer to women-related objects.Through the processing of literati in the past dynasties,the image of"peach blossom"has derived a variety of cultural connotations,among which"human face peach blossom","peach blossom flowing water"and"peach blossom source"are the most typical.From the spiritualization of the Wei dynasty and Jin dynasty,the fairylandization of the Tang dynasty to the love of the two Song dynasties,and then the return of the structure and ideological connotation of the Yuan dynasty,Ming dynasty,and Qing dynasty,the image of"Peach Blossom"became the object of continuous praise by literati and scholars throughout history.

关 键 词：“桃花”意象 古代文学 美学特征 文化内涵 “桃花”源 

分 类 号：I207.62[文学—中国文学]