基于戏曲角色创造美学的戏曲动画角色创造研究  

Research on the Creation of Xiqu Animation Characters Based on the Aesthetics of Xiqu Character Creation

作　　者：马潇婧 MA Xiaojing(Beijing Institute of Graphic Communication,Beijing 102600,China)

机构地区：[1]北京印刷学院,北京102600

出　　处：《北京印刷学院学报》2024年第5期73-78,共6页Journal of Beijing Institute of Graphic Communication

基　　金：北京市教育委员会科学研究计划项目“数字技术语境下动画表演研究”(SM202310015001)阶段性成果。

摘　　要：戏曲动画中含有丰富的戏曲艺术的基因,并且以其为创造的范式。其中最鲜明的体现就在于戏曲动画角色的创作过程,因为角色是承载故事、风格、运动等的基础。事实上,戏曲角色创作有着独特的方法和美学特征,这些都深刻影响着戏曲动画的角色创造。尤其是从戏曲演员真人的实在的、运动的、美的身体表达到动画的非真人的虚拟的、集体经验的“身体”的转化过程,这是戏曲动画与观众共同约定的审美逻辑,也是戏曲动画角色表演能够被观众理解和接受的关键。本文基于此,从戏曲动画的角色身体创造角度切入,分析其如何在遵循戏曲角色“貌离神合”“程式表演”方法的基础上实现动画转化。Xiqu animation contains rich genes of Xiqu art and uses them as a paradigm for creation.The most distinctive embodiment of this lies in the process of character creation in Xiqu animation,because the character is the basis for carrying the story,style,movement and so on.As a matter of fact,the creation of Xiqu characters has unique methods and aesthetic characteristics,which have profoundly influenced the creation of characters in Xiqu animation.In particular,the transformation process from the real,moving and beautiful body expression of Xiqu actors to the virtual,collective experience of the non-live“body”of animation is the aesthetic logic agreed between Xiqu animation and the audience,and the key to the understanding and acceptance of Xiqu animation character performances by the audience.Based on this,this paper analyses how the character body creation of Xiqu animation can be transformed into animation on the basis of the method of“programmed performance”,which is based on the“appearance of separation”of the characters of Xiqu animation.

关 键 词：动画角色创造 戏曲角色 程式表演 

分 类 号：J812[艺术—戏剧戏曲]