西汉王朝“文化身份”的确认与“文化认同”的形成——以屈原、楚辞的被发现为契机  

The Formation and Confirmation of Cultural Identity in the Western Han:Taking the Opportunity of the Discovery of Qu Yuan and Songs of Chu

作　　者：孙少华[1] Sun Shaohua

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《文史哲》2024年第3期18-33,164,共17页Literature,History,and Philosophy

基　　金：国家社会科学基金重点项目“汉赋文本与理论研究”(19AZW006);国家社会科学基金重大课题“中国早期经典文本的形成、流变及其学术体系建构研究”(21&ZD252)的阶段性成果。

摘　　要：战国时期的诸侯国文化以及藩属国文化,在汉初依然盛行。“大汉”政权的合法性、正统性受到质疑或挑战的时候,“汉文化”也缺乏一个精神源头和“合法身份”,“汉文化认同”也就无法顺利建立起来。贾谊入楚,发现屈原、楚辞,将“楚文化”从诸多文化中突出出来,为汉王朝所接受。在“楚变汉”的过程中,西汉王朝的“文化身份”逐渐得以确认,推动了汉代文化的深度发展。西汉王朝的“文化认同”也逐渐在这个历史过程中得以完成,最终形成了代表汉王朝“文化形象”的文学、艺术形式。The culture of states and vassal states of the Warring States period still prevailed in the early Han dynasty.The regime of“Great Han”was lack of spiritual origin and“legal identity”when its legitimacy encountered doubt or challenge,and the“recognition of cultural identity of Han”was also difficult to get established.Then Jia Yi found Qu Yuan and Songs of Chu when he went to the domain of Chu,and highlighted them from various cultures which was accepted by the Han court.In the process of“Chu changing into Han”,the cultural identity of the Western Han dynasty was gradually affirmed,and cultural development in that period was deepened in such context.The recognition of cultural identity of the Western Han grew up,and the literary and artistic form which could represent the“cultural image”of Han court also came into being in the historical course.

关 键 词：屈原 楚辞 楚文化 文化身份 文化认同 文化形象 

分 类 号：K234.1[历史地理—历史学] G127[历史地理—中国史] I206.2[文化科学] D691[文学—中国文学]