尼采式悲剧精神的反式书写--以《普鲁弗洛克的情歌》为例  

Nietzschean Tragic Spirit in Reverse Writing:A Case Study of The Love Songs of Prufrock

作　　者：郭方云[1] 郭艳雯 Guo Fangyun;Guo Yanwen

机构地区：[1]西南大学外国语学院文学地图学研究中心,重庆400715

出　　处：《河南大学学报（社会科学版）》2024年第3期80-85,154,共7页Journal of Henan University(Social Sciences）

基　　金：教育部人文社会科学基金项目“美国现代主义诗歌空间诗学”(07JC752004)阶段性成果。

摘　　要：尽管艾略特《普鲁弗洛克的情歌》的哀歌式形而上书写揭开了英美现代诗歌的大幕,但其表征程式及深刻寓意极少为英美学界关注。以艾略特熟知的尼采名作《悲剧的诞生》作为逻辑推演的背景知识框架,探究《普鲁弗洛克的情歌》中尼采式悲剧精神的反式书写,对于艾略特研究而言具有重要的思想溯源及艺术表征意义。研究发现,诗内的意志瘫痪和自我分裂两大悲剧性表征与日神精神和酒神精神二元对立冲动形成反面意指。此种尼采式悲剧精神的降格式诗歌演绎不仅揭示了西方早期现代文明的矛盾性特征,而且以精神悖论的方式凸显了现代文明嬗变过程中剧烈的思想冲突,最终赋予英美现代诗歌新的悲剧精神洞见。Despite T.S.Eliot's The Love Song of J.Alfred Prufrock serving as a lament-like metaphysical narrative that unveils the curtain of modern English and American poetry,its representational patterns and profound implications have received little attention from the academic circles in England and America.With T.S.Eliot's well-known Nietzschean masterpiece The Birth of Tragedy as the background knowledge framework for logical deduction,this study explores the reverse writing of the Nietzschean tragic spirit in The Love Song of J.Alfred Prufrock,which holds significant importance for Eliot studies in terms of tracing intellectual origins and artistic representation.The research reveals that the two major tragic representations,will paralysis and self-division,within the poem form a counter-meaning against the binary opposition of the Dionysian spirit and the Apollonian spirit.This Nietzschean tragic spirit in descending format poetry not only exposes the contradictory characteristics of early Western modern civilization but also highlights,in a paradoxical manner,the intense ideological conflicts during the process of modern civilization's transformation,ultimately endowing modern English and American poetry with new insights into the tragic spirit.

关 键 词：《普鲁弗洛克的情歌》 尼采 悲剧精神 反式书写 

分 类 号：I106.2[文学—世界文学]