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作 者:叶嘉莹[1] Ye Jiaying
机构地区:[1]南开大学中华诗教与古典文化研究所,天津300071
出 处:《南开学报(哲学社会科学版)》2024年第3期19-29,共11页Nankai Journal:Philosophy,Literature and Social Science Edition
基 金:天津市哲学社会科学规划重大委托项目(TJWHSX2301)。
摘 要:词这种文学体式自产生之初,便是配合当时的流行音乐演唱的歌词,既没有言志价值也没有载道理想,却因“双重性别”与“双重语境”的作用而形成了一种特殊的美感特质,能够给读者以丰富的联想。随着词体本身的演进,词的观念也在不断演进,通过苏轼、辛弃疾、张惠言、陈曾寿、吕碧城、沈祖棻等人的几首词,可以读出小词中体现的士人修养。Since its inception,Ci(词)was a literary style of lyrics which had been sung in accompaniment to popular music of its time.It lacked both the value of expressing aspirations and the content of conveying ideals.However,due to the influence of"dual gender"and"dual context",it formed a unique aesthetic quality,capable of evoking rich imaginations in readers.As the lyric form itself developed,the concepts within the lyrics also continued to evolve.Through several lyrics by Su Shi,Xin Qiji,Zhang Huizhen,Chen Zengshou,Lv Bicheng,Shen Zufen,and others,the cultivation of scholars can be discerned within these short lyrics.
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