后经典叙事学视域下博物馆非遗展陈探析--以“锦行天下--中国织锦文化展”为例  

Intangible Cultural Heritage Exhibitions Examined from the Perspective of Post-Classical Narrative:A Case Study of“Into the Brocade World:Chinese Brocade Culture”Exhibition

作　　者：姚晓晗 唐郦薇 YAO Xiao-han;TANG Li-wei(Nanjing Forestry University,Nanjing,Jiangsu,210037;Nanjing Museum Administration,Nanjing,Jiangsu,210000)

机构地区：[1]南京林业大学,江苏南京210037 [2]南京市博物总馆,江苏南京210000

出　　处：《东南文化》2024年第2期147-153,共7页Southeast Culture

摘　　要：随着“以人为本”理念在博物馆运营管理领域日益凸显,叙事学等多种学科理论被越来越多地运用到博物馆展陈、教育、研究等业务工作中。非遗纳入博物馆的话语体系,进一步推进了博物馆角色转变,让博物馆展陈的叙事性特征愈益凸显。非遗主题展览中,博物馆应通过展陈空间叙事要素的重组和搭建,让观众进入传统非遗的原生“故事语境”;通过“多元媒体”叙事,构建全方位的叙事体验;通过叙事,还可以构建传统非遗项目与参观者当下现实生活的联系,使博物馆成为更具鲜活生命力的记忆空间。With the shift of focus of museums to people-oriented,theories in various disciplines such as narrative studies are increasingly applied to museum exhibition,education,and research.The inclusion of intangible cultural heritage into the museum system has further promoted the transformation of the museum's role,highlighting the narrative characteristics of museum exhibitions.In theme exhibitions related to intangible cultural heritage,museums should reorganize and construct narrative elements in exhibition spaces,allowing visitors to enter the original"story context"of intangible cultural heritage.Through"multimedia"narration,a comprehensive narrative experience can be constructed.Through narration,connections can be established between traditional intangible cultural heritage projects and the current real-life experiences of visitors,making the museum a more vibrant space of memory.

关 键 词：博物馆展陈 非遗展陈 后经典叙事学 多元叙事媒介 锦行天下--中国织锦文化展 

分 类 号：G260[历史地理—考古学及博物馆学]