丝中璇玑——浅析丝绸绣片的收藏与修复现状  

Xuan Ji in the Silk-An Analysis of the Current Status of Collection and Restoration of Silk Embroidery Pieces

作　　者：高劲松 Gao Jinsong(School of Art and Design,Shenzhen Polytechnic,Shenzhen 518000,China)

机构地区：[1]深圳职业技术大学艺术设计学院,广东深圳518055

出　　处：《江苏丝绸》2024年第2期41-44,40,共5页Jiangsu Silk

摘　　要：丝绸绣片是中国传统文化和手工艺的代表之一。种类风格丰富的绣片承载着丰富的历史信息和文化价值,是中国传统文化的重要组成部分。绣品以其精巧细腻的工艺和丰富的图案,蕴含着深厚的文化意义,颇具观赏性。由于绣品的制作过程费时费力,且容易损坏褪色,因此数量稀少且保存完好的绣品具有较高的收藏价值。本研究以文献学、图像学和民间调查为主要方法,在探究丝绸绣片呈现出的历史典故、民间故事和传统文化传承的相互关系基础上,多角度分析民间绣片收藏的现状,剖析绣片维护与修复的方法与困境。TSilk embroidery is one of the representatives of traditional Chinese culture and craftsmanship,playing a crucial role in cultural heritage.These intricately crafted pieces carry rich historical information and cultural value,forming an integral part of Chinese tradition.With their delicate workmanship and diverse patterns,embroidered pieces hold profound cultural significance and are highly enjoyable to behold.Due to the time-consuming and delicate process of creating these pieces,well-preserved and scarce embroidered artifacts hold significant collectible value.This study primarily employs methods from literature,image analysis,and folk surveys to explore the historical allusions,folk stories,and interplay of traditional cultural inheritance reflected in silk embroidery pieces.It also provides a multifaceted analysis of the current state of folk embroidery collection and delves into the challenges and methods of maintaining and restoring these precious artifacts.

关 键 词：绣片 历史典故 文化传承 收藏 修复 

分 类 号：TS143.222[轻工技术与工程—纺织材料与纺织品设计]