现代性视域下女性主体意识的回归——从《你好,李焕英》到《热辣滚烫》  

The Return of Female Subjective Consciousness from the Perspective of Modernity——From HI,MOM to YOLO

作　　者：和晨勋 HE Chenxun(School of Literature,Yunnan Normal University,Kunming,Yunnan 650500,China)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《开封文化艺术职业学院学报》2024年第3期124-128,共5页Journal of Kaifeng Vocational College of Culture & Art

摘　　要：与传统的宏大叙事题材电影不同,《你好,李焕英》和《热辣滚烫》通过女性叙事视角,消解了男性话语霸权的历史语境,展现了女性特有的“她力量”。影片在性别空间、女性身份以及影像符号上对女性主体构建,展现了对传统性别定式的突破,实现了女性自我认同、自我解绑,促进了女性“她力量”话语体系表达的生成。影片以日常生活为基点,融入个人经历和抱负,不仅在春节档影片中脱颖而出,而且也为女性自我书写的电影叙事模式提供了新的表达范式。Different from traditional grand narrative films,HI,MOM and YOLO dissolve the historical context of male discourse hegemony through the perspective of female narrative,and unfold the unique female"her power".These two films construct female subjects in terms of gender space,female identity and image symbols,showing the breakthrough of the traditional gender formula,realizing women's self-identity and self-unbinding and promoting the generation of the expression of women's"her power"discourse system.Based on daily life and integrated personal experiences and ambitions,These two films not only stood out in the Spring Festival films,but also provided a new paradigm of expression for the narrative mode of female self-writing films.

关 键 词：现代性 女性主体意识 《你好 李焕英》 《热辣滚烫》 

分 类 号：J905[艺术—电影电视艺术]