近代台湾戏商组织探论  

Organization of Opera Merchants in Modern Taiwan

作　　者：简贵灯[1] Jian Guideng

机构地区：[1]福建师范大学文学院/闽台区域研究中心

出　　处：《戏剧与影视评论》2024年第2期21-31,共11页Stage and Screen Reviews

摘　　要：日本侵占时期,我国台湾地区大量涌现以运作戏班演出来营利的戏商组织。在它们的引介下,从1908到1937年间,有超过40个上海京班远赴我国台湾地区演出,掀起台湾戏曲史上首个演剧高峰,并形塑了台湾地区传统戏曲的海派风格。然而,这一组织一直鲜为人知,它的意义也一直被学界所忽视。本文依据日本侵占时期报刊所发现的史料,探讨戏商组织的发展历程,组织构成、经营模式及其存在意义。During the Japanese Occupation Period,there emerged a large number of theater merchants'organiza-tions that operated theatrical troupes for profit in Taiwan,China.Under their introduction,over forty Peking Opera troupes from Shanghai traveled to Taiwan from 1908 to 1937,sparking the first peak of Peking Opera performance in the history of Taiwan Residents opera and shaping the Shanghai style of traditional Taiwan Residents opera.However,these organi-zations have remained unknown to people,and its significance has been consistently overlooked by the academia.This article,based on historical materials discovered in newspapers during the Japanese occupation period,explores the de-velopment process,organizational structure,and significance of opera merchants.

关 键 词：日本侵占时期 台湾地区 戏商组织 海派京剧 

分 类 号：J809.2[艺术—戏剧戏曲] K25[历史地理—历史学]