20世纪60-80年代的香港电影与文化——罗卡访谈  

Hong Kong Film and Culture(1960s-1980s):Interview with Law Kar

作　　者：苏妹 刘金平[2] 李晓昀 邹思容 罗卡 Su Mei;Liu Jinping;Li Xiaoyun;Zou Sirong

机构地区：[1]不详 [2]厦门大学电影学院 [3]中国传媒大学艺术研究院 [4]香港科技大学人文社科学院,中国香港

出　　处：《戏剧与影视评论》2024年第2期58-67,共10页Stage and Screen Reviews

基　　金：福建省社科基金青年项目“行动者网络理论视域下的金鸡百花电影节研究”(项目编号:FJ2024C122)阶段性成果。

摘　　要：20世纪60一80年代,中国香港文化界处于东西方两大阵营之间,此时又恰逢世界性的青春文化大兴,深刻影响中国香港战后一代。本次对中国香港资深电影研究者罗卡的深度访谈,尝试重返战后年轻一代逐渐成长为中坚力量的中国香港电影现场。该时期一方面为之后中国香港电影的“黄金时代”奠定了重要的产业和美学基础,另一方面也是罗卡本人入行的活跃期。通过内地电影在港传播、粤语青春片流行、社会运动、电影刊物、迷影实践、实验电影创作、本土理论探索、中国香港国际电影节数个侧面,本次访谈勾勒出“冷战”时期中国香港电影与文化的转型轨迹.From the 1960s to the 1980s,the cultural community in Hong Kong found itsclf caught between the two major camps of East and West,coinciding with the global surge of youth culture that profoundly influenced the post-war generation in Hong Kong.In this in-depth interview with the veteran Hong Kong film rescarcher,Law Kar,an attempt is made to revisit the Hong Kong cinematic landscape and media culture where the post-war younger generation gradually grew into a formidable force.During this period,on the one hand,it laid important industrial and aesthetic foundations for what would later be known as the"Golden Age"of Hong Kong cinema.On the other hand,it was an active period for Law himself.The interview outlines the transformation of the city's film culture by shedding light on such diverse aspects as the dissemination of mainland Chinese films in Hong Kong.the popularity of Cantonese youth films,social movements,film publcations,cinephilia practices,experimental filmmaking.local the-oretical explorations,and the Hong Kong International Film Festival.

关 键 词：中国香港电影 《中国学生周报》 实验电影 大学生活电影会 中国香港电影文化中心 中国香港国际电影节 

分 类 号：J909.2[艺术—电影电视艺术] K27[历史地理—历史学]