古典精神与个性风格融汇的颠覆性美学——由王羽佳国家大剧院音乐会论及音乐表演相关问题  

Revolutionary Aesthetics Where Classical Spirit Meets Individual Style:Discussions about Music Performance Issues from Yuja Wang's Concerts

作　　者：高拂晓[1,2] Gao Fu Xiao

机构地区：[1]中央音乐学院 [2]中央音乐学院音乐学系

出　　处：《中国音乐》2024年第3期18-27,共10页Chinese Music

摘　　要：当代杰出钢琴家王羽佳以炫技性演奏和个性化着装成为古典音乐界炙手可热的明星。作者以2023年她的中国巡演最后一站国家大剧院音乐会为评论对象,对涉及表演的炫技性、表现力等问题进行了分析,并以颠覆性美学对她的舞台呈现进行了解读,从作品内涵、表演诠释和听众接受度几个维度进行综合考察,提出了音乐表演评论领域可资借鉴的方法和原则。Contemporary pianist Yuja Wang has ascended as a prominent figure in the classical music realm,owing to her virtuosic performances and distinctive fashion choices.This review centers on Wang's performance at the National Centre for the Performing Arts(NCPA)in 2023.The author meticulously examines Wang's performance technique and expressive prowess,interpreting her stage presence through the lens of revolutionary aesthetics.The analysis encompasses the work's inherent connotations,performance interpretation,and audience reception,culminating in the proposal of methodologies and principles pertinent to the domain of music performance criticism.

关 键 词：王羽佳 音乐表演 炫技性 表现力 个性风格 颠覆性美学 

分 类 号：J601[艺术—音乐] J604.6