区域国别音乐文化标志性符号及其形态、时空、语境要素——以中国南方与周边跨界族群音乐的比较为例  

Regional and National Music Cultural Symbols and Their Forms,Temporal-Spatial Elements,and Contexts:A Comparative Study of Music among Southern China and Neighboring Transboundary Ethnic Groups

作　　者：杨民康[1,2,3,4] Yang Min Kang

机构地区：[1]中国音乐学院 [2]云南艺术学院 [3]哈尔滨音乐学院 [4]中央音乐学院

出　　处：《中国音乐》2024年第3期76-86,共11页Chinese Music

基　　金：2020年度国家社科基金艺术学一般项目“南方跨界族群音乐民族志的理论建设和选点、比较研究”(项目编号:20BD068);2022年度国家社科基金艺术学重大项目“中华民族共同体认同与各民族音乐交融共生研究”(项目编号:22ZD11)的阶段成果

摘　　要：中国与周边跨界族群音乐在音乐艺术形态、社会文化形态及文化意义等方面的发展和变迁,始终伴随着不同层级音乐文化标志性符号的形成、塑造和发展。中国音乐文化标志性符号可分为地域性音乐符号、区域性音乐符号和国族性音乐符号等不同层级类型,这种区分以符号形态学和语义学分析为基础,并且在符号语义学的涵义层面,作为象征性和隐喻性音乐符号呈现出来。在研究思路上,区域国别学理论为这些讨论提供了一个重要的参考维度,文化圈和文化(特质)丛理论则给予了一个具有可操作性的方法论依据。本文以云南与周边跨界族群音乐为例,聚焦音乐符号学涵义层,结合形态标准、时空条件和语境要素几方面标准,对不同层级、类型的音乐文化标志性符号展开讨论和分析。The music of China and its neighboring transboundary ethnic groups,in its artistic forms,social-cultural manifestations,and cultural significances,has always been accompanied by the formation,shaping,and development of music cultural symbols at different levels.Chinese music cultural symbols can be classified into regional music symbols,area-specific music symbols,and national music symbols,among other levels.This classification is based on an analysis of semiotics and semantics,and on the semantic level,it presents as symbolic and metaphorical music symbols.In terms of research methodology,regional and national theory offers an important dimensional reference for these discussions,while the theory of cultural spheres and clusters(traits)provides a practically operational methodological basis.This paper takes the music of Yunnan and its neighboring transboundary ethnic groups as an example,focusing on the semantic layer of music semiotics.It discusses and analyzes music cultural symbols of different levels and types,combining criteria of form,temporal-spatial conditions,and contextual elements.

关 键 词：区域国别音乐文化 音乐文化标志性符号 南方与周边跨界族群音乐 

分 类 号：J609.2[艺术—音乐]