泰和县钟埠村"拖龙船"仪式音声的建构及象征  

The Construction and Symbolization of the Sound for the Ceremony of"Towing Dragon Boat"in Zhongbu Village,Taihe County

作　　者：欧阳绍清[1] Ouyang Shaoqing(College of Arts,Jinggangshan University,Ji'an,Jiangxi,343009)

机构地区：[1]井冈山大学艺术学院,江西吉安343009

出　　处：《地方文化研究》2024年第2期66-72,共7页Local Culture Research

基　　金：江西省艺术科学规划课题"接续的传统:‘拖龙船’仪式的音声建构及象征意义研究"(项目编号:YG2020066)研究成果。

摘　　要：仪式音声是近二十年来出现的一个重要学术概念,它从仪式整体的语境中分析音声对于仪式作为一种人类学意义上的“文化表演”过程的重要意义。文章以泰和“拖龙船”仪式为研究对象,结合传统的发明、象征人类学的理论与方法,从“音声”切入,置“音声”于仪式或信仰的共生环境中探寻其内涵和意义。对于“拖龙船”仪式而言,执仪人“文化表演”所形成的“音声声谱”有着从“象”到“意”的隐喻,形成一个“符号(基本单位)-仪式(聚集体)-象征(意义)”的动力循环圈。音声在保持仪式进行有效性的同时,不但赋予娱人娱己双重功能,还在不同的仪轨环节中,具有不同的象征意义。Ritual sound has emerged as an important academic concept in the past two decades.It analyzes the sig-nificance of sound within the overall context of rituals as a cultural performance process in anthropological terms.Focus-ing on the ceremony of""towing dragon boat"in Taihe County,this article combines invention of traditions with the theo-ries and methods of symbolic anthropology.Based on the notion of"sound symbolism",it explores the connotation and meaning of sound within the symbiotic environment of ceremonies or beliefs.For the ceremony of"towing dragon boat",the"sound spectrum"formed by the cultural performance of the performers metaphorically moves from"representation"to"meaning",forming a dynamic cycle of"symbol(basic unit)-ritual(collective)-symbol(meaning)".While maintaining the effectiveness of the ritual,sound not only endows it with a dual function of entertaining participants and spectators,but also holds different symbolic meanings in different ritual stages.

关 键 词：拖龙船 音声象征 接续的传统 

分 类 号：G122[文化科学]