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作 者:叶蕾 YE Lei(School of Liberal Arts,South China Normal University,Guangzhou 510631,Guangdong)
出 处:《延安大学学报(社会科学版)》2024年第3期88-95,共8页Journal of Yan'an University (Social Sciences Edition)
摘 要:刘声木是清末民初著名的目录学家,通过目录著作中的类目设置、版本著录及附注记述,载录了数量可观的古代文学批评资料。刘声木书目的著录特色主要体现在关注评点文献、具有家学意识以及留意女性撰述三方面,其《苌楚斋书目》对《桐城文学渊源考·撰述考》更是起到补充作用,二者共同呈现了桐城派文人著作的文献面貌与传播网络,呈现出清末民初评点之学向经、史、子、集四部的渗透,并且有意识地展现评点本在清末民初文人群体之间传播、流通与保存的动态过程。从中国文学批评史的视域下考察刘声木书目,既能照见“诗文评”在晚清民国的赓续与新变,同时有助于理解古代诗文评向古代文学批评史学科的转型。Liu Shengmu,a famous bibliographer in the late Qing Dynasty and the Republic of China,preserved a considerable number of ancient literary criticism documents through the category setting,version description and an⁃notated records of catalog works.The bibliographic characteristics of Liu Shengmu’s bibliography are mainly em⁃bodied in three aspects:paying attention to the literature review,having the consciousness of family studies and paying attention to the female writing.Its Chuzhai Bibliography is a supplement to the Tongcheng Literature Source Examination·Writing Description Examination,the two jointly present the literature appearance and communica⁃tion network of the literati works of Tongcheng School,record the penetration of the four parts of the criticism to the classics,history,son and collection in the late Qing Dynasty and the Republic of China,and consciously show the dynamic process of the communication,circulation and preservation of the criticism books among the literati groups in the late Qing Dynasty and the Republic of China.Studying Liu’s bibliography from the perspective of the history of Chinese literary criticism can not only reveal the continuous and new changes of“poetry criticism”in the late Qing Dynasty and the Republic of China,but also help to understand the transformation of ancient poetry criticism to the history of ancitent literary criticism.
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