体育电影与国家形象的建构———基于《黑色闪电》(Race)及其史实的考察  

Sports Movies and the Construction of National Image:An Examination Based on Race and Its Historical Facts

作　　者：丁可凡 霍传颂[1] DING Kefan;HUO Chuansong(Chengdu Sport University,Chengdu Sichuan 610041)

机构地区：[1]成都体育学院外国语学院,四川成都610041

出　　处：《成都体育学院学报》2024年第3期134-142,共9页Journal of Chengdu Sport University

基　　金：西南交通大学美国研究中心2023年度项目“美国体育中的国家认同构建研究”(ARC2023005)。

摘　　要：电影作为一种文学文本,通过构建形象与场景以表达某种特定的历史心性。而体育电影兼具体育与电影两种流行文本,以其双重普适性捕获大众,从而可以在关注中构建历史认同。美国体育传记电影《黑色闪电》还原了1936年柏林奥林匹克运动会赛场上,美国黑人运动员杰西·欧文斯在纳粹德国拿下四枚金牌,一举成为“国家英雄”的传奇历史事件。影片在叙事与文本中塑造了美国当局的反纳粹主义,从而构建了特定的历史形象。本研究通过文本、叙事分析,以历史文献资料为考察依据,结合1936年柏林夏季奥运会赛场上的真实历史,对比分析电影中历史情境、场景与现实的异同,还原真相并总结该历史话语建构与意识形态重构的逻辑关系,研究美国历史中虚伪的反纳粹主义与种族平等主义的真实以及在该影片中进行历史重构的政治动因。Movie,as a literary text,expresses a specific historical mentality by constructing images and scenes.Sports movies,which combine the popular texts of both sports and movies,attract the public with their dual universality,and construct historical iden-tity through watching.The American sports biographical movie,Race,restores the legendary historical event of Jesse Owens,a black American athlete who won four gold medals in Nazi Germany and became a"national hero"in the 1936 Berlin Olympic Games.The movie constructs the anti-Nazism image of the American authorities in both narrative and text.Taking historical documents as the ba-sis,and combining the real history of the 1936 Berlin Summer Olympics,this study compares and analyzes the differences and similari-ties between the historical situations and scenes in the movie and the facts in reality,trying to restore the truth,generalize the logical relationship between the construction of historical discourse and the re-construction of ideology,and reveal the hypocritical anti-Na-zism and racial equality in American history,and the political motivation for the reconstruction of history in the movie.

关 键 词：体育电影 奥林匹克 种族平等 反纳粹 

分 类 号：G80-054[文化科学—运动人体科学]