论贾樟柯电影对戏曲元素的借鉴与运用  

On the Reference and Application of Opera Elements in Jia Zhangke’s Films

作　　者：刘娜娜 徐建国[1] LIU Na-na;XU Jian-guo(College of Literature,Shanxi Datong University,Datong Shanxi,037009)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《山西大同大学学报（社会科学版）》2024年第3期136-140,共5页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西大同大学研究生创新项目“晚清山西戏曲年画‘武戏’图像叙事研究”(23CX13)。

摘　　要：当今许多影视作品出现了现代与传统艺术互相融合的特有现象,较为突出地表现为对一些戏曲情节、戏曲唱段、戏曲音乐等戏曲元素的借鉴和运用。贾樟柯电影将戏曲元素成功地运用到电影叙事中,彰显了中国传统戏曲文化的独特魅力。当代电影与传统戏曲的融合也使中国电影在民族化的道路上展现出独特的魅力。Nowadays,many of today’s film and television works have a unique phenomenon of the integration of modern and traditional arts,which is more prominently manifested in the reference and application of some opera elements such as opera plots,opera singing segments,and opera music.Jia Zhangke’s films successfully apply opera elements to the film narrative,highlighting the unique charm of traditional Chinese opera culture.The integration of contemporary films and traditional operas has also made Chinese films show their unique charm on the road of nationalization.

关 键 词：戏曲元素 贾樟柯电影 戏曲文化 

分 类 号：I235.1[文学—中国文学]