帝王书写与想象——赵匡胤文学形象的生成与演变  

Emperor's Writing and Imagination——The Formation and Evolution of Zhao Kuangyin's Literary Image

作　　者：孟令阳 MENG Lingyang(Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《天中学刊》2024年第3期75-83,共9页Journal of Tianzhong

摘　　要：赵匡胤文学形象的生成与演变经历了史书记载、笔记叙述、戏曲小说改编等过程。史书是赵匡胤文学形象的历史基础,塑造了神圣的开国帝王,但其形象缺乏个性化;笔记融合了正史记载与民间传说,展现了赵匡胤形象生动的一面,是其从历史人物到文学人物的过渡;元杂剧塑造了英明君主与平民英雄的双重形象,使得赵匡胤的文学形象更具个性;明清小说戏曲中赵匡胤形象的神圣性被消解,呈现多元化的特点。从历史人物到文学形象,赵匡胤文学形象的生成与演变反映了不同群体对帝王的书写与想象,丰富了人物形象的文化内涵。The formation and evolution of Zhao Kuangyin's literary image has gone through the process of historical records,narrative notes,and adaptation of opera novels.The historical books are the basis of his image,shaping the holy emperor,but also making his image lack of individuality.The notes integrate official records and folk legends,and show his vivid side,which is the transition from a historical figure to a literary figure.The opera in the Yuan Dynasty created a dual image of a wise monarch and a civilian hero,and his literary image was more personalized.In the novels and operas of the Ming and Qing dynasties,the sanctity of his image was dispelled,showing a diversified feature.From historical figures to literary images,his image reflects the writing and imagination of emperors by different groups and enriches the cultural connotation of the characters.

关 键 词：赵匡胤 历史人物 文学形象 生成与演变 

分 类 号：I206[文学—中国文学]