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作 者:王四四 WANG Sisi(College of Literature,Xi Zang University,Lhasa,Xizang 850000;:2.School of Literature and Media,Guangxi Normal University for Nationalities,Chongzuo,Guangxi 532200)
机构地区:[1]西藏大学文学院,西藏拉萨850000 [2]广西民族师范学院文学与传媒学院,广西崇左532200
出 处:《民族学论丛》2024年第2期120-128,共9页
基 金:广西壮族自治区2019年汉语言文学特色基础学科项目“新世纪西部诗歌的精神考察”(2019HYKY03)。
摘 要:当代少数民族汉语诗歌的发展令人瞩目,宏观讨论当代少数民族汉语诗歌诗美中的一些重要理论问题,以及描画出当代中国少数民族汉语诗歌美学历程是当代中国文学研究中重要的一部分。“十七年时期”的少数民族汉语诗歌从内容到形式,奠定了少数民族汉语诗歌的社会主义美学基本风貌。马克思主义美学是少数民族汉语诗歌美学创造的美学依据。新时期,少数民族汉语诗人也开始结合本民族的诗学传统、历史文化和个人体验等开始思考建构独具少数民族特色的诗歌美学。新世纪,各种思潮风起云涌,也影响到了少数民族汉语诗歌创作,与少数民族诗人所持有的民族文化、生命经验等碰撞、交融,逐渐生成了颇具少数民族本土特色的诗歌美学。回到诗歌的美学本体,探索建立当代少数民族汉语新诗的美学体系,是当代少数民族汉语诗歌寻求自身历史合法性,获得新活力的必经途径。The development of contemporary ethnic minority Chinese poetry is remarkable,and it is an important part in contem-porary Chinese literary research to discuss some important theoretical issues on a macro level and depict the aesthetic course of con-temporary Chinese minority poetry.The ethnic minority Chinese poetry during the"Seventeen Years Period"laid the foundation for the socialist aesthetic characteristics of ethnic minority Chinese poetry in terms of both content and form.Marxist aesthetics is the aesthetic basis for the creation of ethnic minority Chinese poetry.The content beauty with socialism characteristics is a prominent feature of the aesthetics of ethnic minority Chinese poetry.Socialist musical beauty is the core of the poetic beauty construction of ethnic minority Chinese poetry during the Seventeen Years Period.In the new era,ethnic minority Chinese poets have also begun to consider and construct a unique aesthetic of ethnic minority Chinese poetry by combining their own ethnic poetic traditions,histori-cal culture and personal experiences.Natural beauty,cultural beauty,overlapping beauty,and times beauty are the distinctive aes-thetic aspects of ethnic minority Chinese poetry in the new era.In the new century,various trends have emerged,which have also in-fluenced the creation of ethnic minority Chinese poetry,colliding and blending with the ethnic minority poets'cultural heritage and life experiences,gradually forming a poetic aesthetic with distinct ethnic local characteristics,mainly forming several aesthetic dis-course forms such as life aesthetics,totem aesthetics,land aesthetics,personality aesthetics,divine aesthetics,historical aesthetics.and death aesthetics and formal aesthetics.Returning to the aesthetic noumenon of poetry and exploring the establishment of an aes-thetic system for contemporary ethnic minority Chinese new poetry from the aesthetic essence of poetry is a necessary route for con-temporary ethnic minority Chinese poetry to seek its own historical legitimacy and gain new
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