交互共存:从甘青“花儿”看多民族的交往交流交融  

Interaction and Coexistence:On Ethnic Exchange,Communication and Coexistence through Folk Songs“Huar”from Gansu and Qinghai Provinces

作　　者：蔡秀清[1] 周毛吉 李以泓 Cai Xiu-qing;Zhoumaoji;Li Yi-hong

机构地区：[1]西藏大学,西藏拉萨850000

出　　处：《青海民族大学学报（社会科学版）》2024年第2期52-59,共8页Journal of Qinghai Minzu University：Social Sciences

基　　金：西藏大学中华民族共同体基地年度项目“文学视域下西藏铸牢中华民族共同体意识经验与路径研究”(项目编号:2022-TFSCC-23)的阶段性研究成果。

摘　　要：“花儿”是生长在西北大地上的一朵艺术奇葩,蕴含丰厚的历史积淀和文化内涵。“花儿”是西北地区多民族集体的智慧结晶,也是多民族交往交流交融的文化自信和文化认同的基质。在中华文化的大熔炉中,“花儿”是其中的瑰宝,它的旋律流淌过岁月的文化长河,歌词浸染着各民族文化的鲜明色彩,以摄魂夺魄的艺术魅力,涤荡着千千万万民众的心灵,真正彰显了各民族交融共生的社会理路。文章以传唱在甘青地区最为广泛的河州“花儿”为例,以交互共存的文化特质为切入点,探讨甘青“花儿”中呈现的多民族交往交流交融,以期为铸牢中华民族共同体意识提供养分,为实现中华民族伟大复兴凝聚精神力量。Folk songs“Huar”,is a wonderful art form,rooting in the vast lands of Northwest China,which contains a long history and rich cultural connotations.“Huar”is the brain child of the various minorities living there,which forms the solid foundations for cultural self-confidence and cultural identity on the basis of ethnic exchange,communication and coexistence in the Chinese northwest.In the melting pot of Chinese cultures,“Huar”boasts shared treasures,its melody has drifted throughout the long history of the varied cultures,and its lyrics are characteristic of ethnic cultures in these areas.With its artistic charm,it lightens the hearts of those living there when they sing it,truly demonstrating the social patterns of the all ethnic groups there.Taking the most popular“Huar”from Hezhou of Gansu Province as an example,which is widely performed in both Gansu and Qinghai provinces,this paper researches into the ethnic exchange,communication and coexistence in Gansu and Qinghai provinces from the perspective of the cultural characteristics of interaction and coexistence to provide nutrients for fostering the sense of community for the Chinese nation and offering spiritual strength for realizing the great rejuvenation of the Chinese nation.

关 键 词：甘青地区 多民族 河州“花儿” 交往交流交融 

分 类 号：C953[社会学—民族学]