国难时期的视觉动员:《新疆日报》的抗战漫画宣传及其创作特点分析  

Visual Mobilization in the Period of National Disaster:A Study on the Propaganda of Caricatures of the Anti-Japanese War and Its Creative Features in Xinjiang Daily

作　　者：李宏刚[1] 韩月 Li Honggang;Han Yue

机构地区：[1]新疆大学新闻与传播学院,乌鲁木齐830000

出　　处：《新闻春秋》2024年第3期76-87,共12页Journalism Evolution

基　　金：国家社会科学基金项目“新疆抗战宣传动员与中华民族共同体意识建构研究(1931-1945)”(项目编号:19BXWO14);新疆大学2022年哲学社会科学校内培育项目“文化润疆背景下新疆主流媒体中华优秀传统文化融媒体传播策略研究”(项目编号:22JPY006)的阶段性成果。

摘　　要：抗日战争时期,《新疆日报》先后聘请了戴彭荫和鲁少飞等美术工作者,充分利用通俗易懂、形象生动的漫画开展抗战宣传和视觉动员。《新疆日报》的抗战漫画主要有报头漫画、画刊漫画、木刻漫画和连环漫画四种类型,重点围绕宣传抗日救亡理念、分析反法西斯战争局势、宣扬抗战前线辉煌战果和号召捐款捐物支援抗战等主题开展创作,体现出丰富性、讽刺性、多样性和政治性的特点。《新疆日报》的抗战漫画承担起了战时宣传动员的时代使命,推动了新疆抗日救亡运动的发展,同时也为新疆美术事业的发展奠定基础。During the Anti-Japanese War,Xinjiang Daily hired Dai Pengyin,Lu Shaofei and other artists to make full use of caricatures which were essy to understand to carry out the propaganda of anti-Japanese and visual mobilization.The caricatures of the Anti-Japanese War in Xinjiang Daily mainly inclued masthead caricatures,pictorial caricatures,woodcut caricatures and serial caricatures.The main themes of these caricatures were to publicize the idea of resisting Japan to save the nation,analyze the situation of the anti-fascist war,publicize the brilliant achievements of the front lines of the Anti-Japanese War,and call for donations and materials to support the Anti-Japanese War,which refled the characteristics of richness,ironicalness,diversity and politics.The caricatures of the Anti-Japanese War in Xinjiang Daily undertook the mission of wartime propaganda and visual mobilization,promoted the movement of the Anti-Japanese War in Xinjiang,and laid the foundation for the development of Xinjiang's arts of caricature.

关 键 词：《新疆日报》 抗战漫画 视觉动员 创作特点 

分 类 号：G210[文化科学—新闻学]