沉浸与编织:对歌套路与跨日对歌的持续  

Immersion and Weaving:Antiphonal Routines and Continuation of Antiphonal Songs across Days

作　　者：肖璇[1] Xiao Xuan

机构地区：[1]中国音乐学院,北京100101

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第3期13-18,I0002,共7页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2021年国家社科基金后期资助项目“中国两性对歌研究”(项目编号:21FYSB011)阶段性成果。

摘　　要：在民间跨日对歌套路丰富的地方知识和文化表征下,中国两性对歌的思维导图、行为规范、音素资源和礼唱过程等集体歌唱要素值得关注。作为“时间空间化”的歌唱诗性智慧,除了不同时段“歌路”和歌书、叙事歌、歌牌、典故组成的歌套交织的纵横经纬线,对歌时间跨度还与“以和为继”“群己平衡”的循循之礼有关。而对歌套路具有唱腔模式化意义不仅促发视、听、唱、思多感官加入,也是民间即兴两性对歌“声声不息”的传统人声资源。Based on the rich local knowledge and cultural representation of folk cross-day antiphonal singing routines,this article focuses on the collective singing elements such as the mind map,behavioral norms,phoneme resources and ritual singing process of Chinese antiphonal singing between the sexes;As a poetic wisdom of singing that embodies the spatialization of time,in addition to the interweaving of different periods of singing styles and song books,narrative songs,song signs,and allusions,the time span of singing is also related to the ritual of"harmony as the continuation"and"group self balance".The singing style of antiphonal songs not only promotes the integration of multiple senses such as sight,hearing,singing,and thinking,but also serves as a traditional vocal resource for the improvisational and uninterrupted singing of both sexes in folk songs.

关 键 词：两性对歌 跨日对歌 对歌套路 歌唱礼俗 

分 类 号：J609.2[艺术—音乐]