网络消费时代古偶仙侠剧的虐恋话语与文化景观  

The Sadistic-Love Discourse and Cultural Landscape of Ancient Fantasy Dramas in the Era of Online Consumption

作　　者：范志忠[1] 胡育文 Fan Zhizhong;Hu Yuwen

机构地区：[1]浙江大学传媒与国际文化学院,浙江杭州310058

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第3期155-161,I0003,共8页Journal of Nanjing Arts Institute:Music & Performance

基　　金：国家社会科学基金项目“新时代中国电视剧创作现状与传播生态研究”(项目编号:22VRC131)阶段性成果。

摘　　要：古偶仙侠剧以女主为视角,叙述“虐恋”爱情故事,制作具有中国传统文化意蕴的符号景观,打造IP文化产业链,形塑着现代大众文化产业与网生代的审美趣味。但是,古偶仙侠剧如何规避泛娱乐化的迷失,赋予更深刻的历史内涵与现实意义,应该是今后发展所亟待解决的问题。From the perspective of the female protagonist,ancient Chinese fantasy dramas narrate the story of"sadistic love",create symbolic landscapes with traditional Chinese cultural connotations,create an IP cultural industry chain,and shape the aesthetic taste of modern popular culture industry and the internet generation.However,how to avoid the loss because of pan-entertainment in ancient Chinese fantasy dramas and give them deeper historical connotations and practical significance should be an urgent issue for future development.

关 键 词：网络消费时代 古偶仙侠剧 虐恋话语 文化景观 

分 类 号：J905[艺术—电影电视艺术]