典章制度文献:我国古代音乐历史演变的丰盈载体--中国音乐史学问题思索之九  

Literature on the System of Documents and Regulations:A Rich Carrier of the Historical Evolution of Ancient Chinese Music--Thoughts on the Issues of Chinese Music Historiography(Part Ⅸ)

作　　者：田可文[1] Tian Kewen

机构地区：[1]武汉音乐学院,湖北武汉430060

出　　处：《南京艺术学院学报（音乐与表演版）》2024年第3期190-198,I0003,共10页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：在我国古代社会,典章中的礼乐制度分“礼”和“乐”两部分。礼,主要对人的身份进行划分和社会规范,最终形成等级制度;乐,是基于礼的等级制度,运用音乐进行缓解社会矛盾。由于历代统治者对“礼乐”的推崇,在我国悠久的历史中,留存了大量的、具有音乐信息或与音乐有关典章制度的文献。文章论及与中国古代音乐史研究有关的历代礼制文献中的“礼乐”文献、典章制度中的音乐文献、会要类书等著作中有关的礼乐文献。这些文献呈现出广博浩繁的史料特征,对探索古代音乐历史事件产生、延展到衰亡的真谛,起到决定性的作用。In ancient Chinese society,the ritual and music system in the laws and regulations was divided into two parts:"ritual"and"music".Ritual mainly divided people's identities and social norms,ultimately forming a hierarchical system;Music was a hierarchical system based on etiquette,using music to alleviate social conflicts.Due to the reverence of"ritual and music"by rulers throughout history,a large number of documents with musical information or related regulations and systems have been preserved in China's long history.The article discusses the"ritual and music"documents in the ritual documents of all dynasties that are related to the study of ancient Chinese music history,the music documents in the laws and regulations,and the ritual and music documents in works such as the Hui Yao Ti Dian Zhi and encyclopedias.These documents present a vast and complex historical material,playing a decisive role in exploring the true meaning of the emergence,extension,and decline of ancient music historical events.

关 键 词：典章制度 礼乐制度 文献 古代音乐史 

分 类 号：J609.2[艺术—音乐]