“穿贯连柱”与“通经断纬”——鄂西土家族穿斗体系和西兰卡普织锦的意匠关联  

Mystery of Orthogonality and Repetition in Chuandou Relationship of the Idea of Design-Fabrication between Ethnic Tujia's Timber Framing System and Silankarp Tapestry in West Hubei

作　　者：徐涵 张彤[2] XU Han;ZHANG Tong

机构地区：[1]东南大学建筑学院,南京210096 [2]东南大学中华民族视觉形象研究基地,南京210096

出　　处：《建筑学报》2024年第5期109-114,共6页Architectural Journal

基　　金：国家社会科学基金项目(20VMZ008)。

摘　　要：通过田野调查和对地方匠人的访谈,从材料与技艺的建构性、几何与符号的象征性方面,对鄂西土家族吊脚楼穿斗架营造和非物质文化遗产西兰卡普织锦两种艺术形式之间制造意匠的关联与互通性特征展开探析,从而建立了一种对土家族穿斗木构体系形式解读的新的研究视角和非物质立场,并对由此阐发的有关乡土建筑文化遗产保护和传承的问题,提出了以文化系统作为整体性认知的构想。The fabrication of Tujia's timber frames and their intangible cultural heritage Silankarp tapestry,reflect the idea of"cosmic craft"in cultural anthropology.Through field investigation and interviews with local craftsmen,this paper explores the association and intercommunication between the two art forms regarding the tectonic characteristics of materials and techniques,and the symbolization of geometry and symbol.It offers a new research perspective and non-material position for the interpretation of the ethnic Tujia timber framing structural system.Concerning the preservation and inheritance of vernacular architecture and cultural heritage,it proposes a concept of the cultural system for studying holistic cognition.

关 键 词：土家族 穿斗架 西兰卡普 宇空性技艺 建构理论 

分 类 号：TU-86[艺术—艺术设计]