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作 者:刘丽[1] Liu Li
机构地区:[1]闽南师范大学闽南文化研究中心,福建漳州363000
出 处:《闽台文化研究》2024年第1期50-57,共8页Fujian-Taiwan Cultural Research
摘 要:肇始于日本殖民时期的中国台湾新剧,既是传统戏曲向现代话剧的过渡阶段,剧本创作逐渐取代幕表制,不断革新剧场艺术,也是对中、日戏剧资源的转化,在不同时期以不同的形式出现,堪称中国台湾新文化启蒙运动的先锋。蓬勃发展的民族运动加速了新剧运动的兴起,借助“剧场”这一舞台,新剧运动以思想启蒙为已任,尝试寻求自由、平等、解放的路径,以其反殖民主义精神在中国台湾社会产生深远的影响。Taiwan's new drama,which originated in the Japanese colonial period,was in the transitional stage from the traditional opera to the modern drama.The creation of scripts replaces improvisation system gradually and constantly innovates theater art,which is the transformation of Chinese and Japanese drama resources.The new drama,also called the pioneer of Taiwan's new cultural enlightenment,appeared in different forms in different periods.The booming national movement accelerated the rise of the new drama movement.With the help of the stage of"theater",the new drama movement took ideological enlightenment as its own responsibility,tried to seek the path of freedom,equality and liberation,with a far-reaching impact of its anti colonial spiriton Taiwan society.
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