元明清时期景德镇陶瓷开光装饰特征的嬗变  

Transformation of Openwork Decoration Features of Jingdezhen Ceramic in the Yuan,Ming,and Qing Dynasties

作　　者：朱诣 李光蕾 ZHU Yi;LI Guang-lei(Center For Design Post-doctoral Studies,Nanjing University Of The Arts,Nanjing 210013,China;Jingdezhen Ceramic University,Jingdezhen 333403,China)

机构地区：[1]南京艺术学院设计学博士后科研流动站,南京210013 [2]景德镇陶瓷大学,景德镇333403

出　　处：《中国陶瓷》2024年第6期117-126,共10页China Ceramics

基　　金：南京艺术学院博士后项目;景德镇陶瓷大学朱诣博士科研启动费(000-20298212);李光蕾博士科研启动费(000-20298918)。

摘　　要：从元代至清代景德镇陶瓷开光装饰经历了三个阶段的发展,随着社会环境的衍变、制瓷工艺的发展以及审美认识的变化,陶瓷开光装饰在不同的发展阶段有着不同的装饰特征。从开光装饰的技法、构图形式、外轮廓、开光内纹样、色彩以及地子的处理来研究元至清代景德镇陶瓷开光装饰特征的嬗变。开光装饰技法由元代简单向复杂、颜色由元代单色向明代五色再到清代多色发展;构图形式由元代复杂到清代精炼;外轮廓形式由元代的单一到清代抽象;开光内纹样由元代图案性到清代绘画性的演变。The decorative technique of ceramic openwork decoration in Jingdezhen went through three stages of development from the Yuan Dynasty to the Qing Dynasty.With the changes in social environment,the advancements in ceramic production techniques,and the evolution of aesthetic perceptions,ceramic openwork decoration exhibited different characteristics in different developmental phases.This article explores the transformation of Jingdezhen ceramic openwork decoration features from the Yuan to Qing Dynasties,focusing on techniques,composition forms,outer contours,internal patterns of openwork,coloration,and the treatment of the ceramic base.Over time,the technique of openwork decoration evolved from simplicity in the Yuan Dynasty to complexity,and the color palette expanded from monochrome in the Yuan Dynasty to polychrome in the Ming and further to multi-color in the Qing Dynasty.The composition forms shifted from complexity in the Yuan Dynasty to refinement in the Qing Dynasty,while the outer contour transformed from uniformity in the Yuan Dynasty to abstraction in the Qing Dynasty.Additionally,the internal patterns of openwork changed from pattern-oriented in the Yuan Dynasty to more painterly styles in the Qing Dynasty.

关 键 词：元、明、清时期 景德镇陶瓷 开光装饰 特征 

分 类 号：J504[艺术—艺术设计]