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作 者:祝帅 Zhu Shuai
机构地区:[1]北京大学艺术学院
出 处:《中国文艺评论》2024年第3期29-36,I0001,I0002,共10页China Literature and Art Criticism
基 金:2021年度国家社科基金艺术学项目“中国书法学学科发展史(1918-2021)”(项目批准号:21BF086)的阶段性成果。
摘 要:在党的二十大精神和习近平文化思想的指引下,在中国文联、中国书法家协会等行业组织的带领下,2023年的中国书法创作、研究和组织传播等都取得了重要的进展。这在很大程度上凸显了思想和观念的引领,特别是评论与创作的互动,以及在创作导向上的承续出新,使书法艺术既体现出了经典的传承,又呼应了新时代所提出的期待和要求。本文将从书法展赛与创作、书法教育与研究、书法管理与传播三个角度对2023年度书坛重大事件展开观察与评论,旨在为当代书法史写作积累史料,并反思其中存在的问题和未来有待突破的空间。Under the guidance of the spirit of the 20th National Congress of the Communist Party of China and Xi Jinping Thought on Culture,and the leadership of organizations such as the China Federation of Literary and Art and the China Calligraphers Association,some important progress has been made in the practices,studies,organizational communications in the year of 2023.To a large extent,this highlights the guidance of ideas and thoughts,especially the interaction between criticisms and practices,as well as the continuity and innovation,so that the art of calligraphy not only reflects the heritage of classics,but also echoes the expectations and requirements put forward by the new era.This article observes and comments on the major events of Chinese calligraphy in 2023 from the perspectives of calligraphy exhibition and practices,calligraphy education and studies,and calligraphy management and communications,aiming to accumulate historical materials for contemporary calligraphy history,and reflect on the existing problems and the space to be broken in the future.
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