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作 者:梁君健[1] Liang Junjian
机构地区:[1]清华大学新闻与传播学院
出 处:《中国文艺评论》2024年第3期37-50,I0002,共15页China Literature and Art Criticism
基 金:2020年度国家社科基金艺术学一般项目“新时代主流影视剧的创作与传播创新研究”(项目批准号:20BC036)的阶段性成果。
摘 要:2023年的国产电影创作在众多挑战与期待下取得了丰硕成果。头部影片在春节档、暑期档等核心档期引领观影市场,现实主义成为影视从业者的自觉意识,类型片和艺术片提升了国产电影的内容多样性,以当代视听艺术传承和发展中华优秀传统文化出现新的标志性成果。2023年度电影创作带给我们的深刻印象,是温暖现实与悬疑叙事的交响,一批优秀的电影作品都力图呈现出与当代观众之间的情感贴近性。青年观影群体对于电影的艺术性和价值观的评价标准也随着行业的发展而水涨船高。只有在故事强度、视听强度和情感强度三个方面都达到较高水平,国产电影才能够在网络视听日益普及的情况下持续地吸引观众,为整个社会提供高品质的文化供给。The production of domestic films in 2023 has gained a fruitful achievement despite numerous challenges.The blockbusters play an important role during the Spring Festival and summer vacation,while film genres and art films continue enhancing the diversity of domestic film market.For filmmakers and artists,realism has become a significant phenomenon of styles and themes,and new landmark has been made for audiovisual art to inherit and develop traditional Chinese culture.The film production of 2023 impressed us with a symphony of warm realism and suspenseful narratives,with a number of outstanding films striving to present emotional connections with contemporary audiences.Young moviegoers’evaluation standards have also risen in company with the development of the industry.Only when the story intensity,audiovisual intensity and emotional intensity simultaneously reach a high level,can domestic films continue to attract audiences in the era of the increasing popularity of online video and provide high-quality cultural supplies for the whole society.
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