寻找时间的时间——论洪尚秀电影中的时间晶体  

The Time Searching for Time—Time Crystals in Hong Sang-Soo's Films

作　　者：郑千惠 王玉明 ZHENG Qian-hui;WANG Yu-ming(School of Chinese Language and Literature,Soochow University,Suzhou 215123,China)

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《海南开放大学学报》2024年第2期52-59,67,共9页Journal of Hainan Open University

基　　金：2019年江苏高校哲学社会科学研究重大项目“电影强国视野下中国电影产业支撑体系研究”阶段成果(项目编号:2019SJZDA123)。

摘　　要：在洪尚秀导演的电影创作中,作为主体内意识的时间与电影的内外现实、艺术真实、诗意体验相交融,并通过时间-影像中潜在影像与现实影像不断的对称、循环、结晶而成功构建出独特的时间晶体。其中,时间的本质涌现,新的生命真实也得以显现。在以影像内部的时间寻找非时序时间即纯粹时间与本真性生命存在的过程中,时间-影像不断使宇宙时空成为绵延的微观海洋,亦成为主体深层生命体验下的真实场域。在反中心、非线性、去权力的影像世界中,个体打开无限、自由、创造性的全部潜能,从而在世界中显现自身,最终达到存在的澄明。In the creative process of director Hong Sang-soo's films,time as an intersubjective consciousness is intertwined with the internal and external realities,artistic truths,and poetic experiences of the films,and through the constant symmetry,circulation,and crystallization of the potential and real images in the time-image,the unique crystal of time is successfully constructed.In it,the essence of time emerges and a new reality of life is revealed.In the process of searching for nonchronological time,i.e.,pure time and the true existence of life with the time inside the image,the time-image continuously makes the universe and space-time become an extended microscopic ocean,and a real field under the subject's deep life experience.In the anti-center,non-linear,and de-power image world,the individual opens up the full potential of infinity,freedom,and creativity,so as to reveal himself in the world,and ultimately achieve the clarity of existence.

关 键 词：时间-影像 潜在影像 时间晶体 纯粹时间 无限开放 

分 类 号：J905[艺术—电影电视艺术]