Wu Zuoren's Westward Sketching Journey and Han-Tibetan Cultural Exchange in the 1940s  

Wu Zuoren's Westward Sketching Journey and Han-Tibetan Cultural Exchange in the

作　　者：Shuang LI Fujuan CHANG 

机构地区：[1]School of Ethnology,Guangdong Polytechnic Normal University [2]Focused on the history study of Han-Tibetan Cultural Exchange,Guangzhou 510000 [3]Guangdong Polytechnic Normal University,Guangzhou 510000

出　　处：《Journal of the Chinese Nation Studies》2023年第4期131-148,共18页中华民族共同体研究（英文）

基　　金：This paper is a phased result from a general project for year 2022 entitled"Local Westward Sketching Journey and Cultural Integration-A Study on Wu Zuoren and Han-Tibetan Cultural Exchanges during the Republic of China"(KBYJ2022B002);undertaken by Kangba Culture Research Center,a key research base of social sciences in Sichuan Province.

摘　　要：The nationalization,modernization,and Chinafication of artistic creation are the motivation for pushing forward the further development of art and advocating Chinese culture.During the Comprehensive War of resistance Against Japanese Aggression,the painter Wu Zuoren answered the art community's call of the times and went twice westward to Xizang for sketching;these trips enriched his artistic creation with Tibetan culture and inspired him to some national paintings;he not only changed and diversified his painting style,but also held a series of exhibitions and communication events,which deepened the understanding and love for Tibetan culture among people from home and abroad.Many of his Tibetan paintings,as they spread across China,have gradually become symbols of Chinese culture shared by multiple ethnic groups;these Tibetan paintings not only demonstrate the united image and general status of the Chinese nation but also serve as vivid cases for the study of forging a strong sense of community for the Chinese nation.

关 键 词：Wu Zuoren Westward sketching journey Tachienlu Maiden Han-Tibetan Cultural Exchange Cultural integration 

分 类 号：S532[农业科学—作物学] F326.11[经济管理—产业经济]